Hildegard von Bingen: Laudes de Sainte Ursule /Ensemble Organum * Peres For Sale

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Hildegard von Bingen: Laudes de Sainte Ursule /Ensemble Organum * Peres | | Reviews

Product Overview

At first glance, one might wonder why Harmonia Mundi has brought out simultaneous releases focusing on the Office of St. Ursula: Anonymous 4's 11,000 Virgins and this disc. But in fact the recordings have little duplication, since Marcel Pérès devotes his program solely to the Lauds for St. Ursula's feast day. In contrast to Anonymous 4's exquisite ensemble and purity of sound, Pérès prefers an earthier, more elemental sound, achieved by having women's voices sing in chest tones. Long unison lines are spun out in a measured, decorated style that is quite gripping on its own terms, but which might prove grating after some time during the CD's 79-minute course. Pérès, as usual, provides cogent, provocative annotations, and the recording's spooky resonance proves as haunting as the performances. Not for all Hildegardians, perhaps, but fascinating stuff. --Jed Distler




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Vox Sacra For Sale

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Vox Sacra | | Reviews

Product Overview

This CD can be considered somewhat rare now. Sale is for
the disc and front inside insert only,




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Sacred Choral Music For Sale

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Sacred Choral Music | | Reviews

Product Overview

Sacred music, including works by Dufay, Palestrina, Lassus, Gesualdo, and Schutz. The tracks are: 1. Kyrie, from Messe du Jour de Noel (ninth century tradition), 2. Alleluia, St. Jean Baptiste: ad magnam missam (Cistercian, 12th century), 3. Alleluia, from Messe du Jour de Noel (Notre Dame School (12th century), 4. I Kyrie, 5. II Gloria, 6. III Sanctus, 7. IV Agnus Dei, 8. Motet Viri Galilaei, 9. Agnus Dei I from Missa Viri Galilaei, 10. Agnus Dei II from Missa Viri Galilaei, 11. Second Lamentation from the second day (Good Friday), 12. Third Lamentation from the second day (Good Friday), 13. Responsoria 1: Sicur ovis ad occisionem, 14. Responsoria 2: Jerusalem, surge, 15. Responsoria 5: O vos omnes, 16. O Lieber Herre Gott, SWV 287.




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Hildegard von Bingen: Laudes de Sainte Ursule /Ensemble Organum * Peres For Sale

---

Hildegard von Bingen: Laudes de Sainte Ursule /Ensemble Organum * Peres | | Reviews

Product Overview

At first glance, one might wonder why Harmonia Mundi has brought out simultaneous releases focusing on the Office of St. Ursula: Anonymous 4's 11,000 Virgins and this disc. But in fact the recordings have little duplication, since Marcel Pérès devotes his program solely to the Lauds for St. Ursula's feast day. In contrast to Anonymous 4's exquisite ensemble and purity of sound, Pérès prefers an earthier, more elemental sound, achieved by having women's voices sing in chest tones. Long unison lines are spun out in a measured, decorated style that is quite gripping on its own terms, but which might prove grating after some time during the CD's 79-minute course. Pérès, as usual, provides cogent, provocative annotations, and the recording's spooky resonance proves as haunting as the performances. Not for all Hildegardians, perhaps, but fascinating stuff. --Jed Distler




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Vox Sacra For Sale

---

Vox Sacra | | Reviews

Product Overview

This CD can be considered somewhat rare now. Sale is for
the disc and front inside insert only,




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Hildegard von Bingen: Laudes de Sainte Ursule /Ensemble Organum * Peres For Sale

---

Hildegard von Bingen: Laudes de Sainte Ursule /Ensemble Organum * Peres | | Reviews

Product Overview

At first glance, one might wonder why Harmonia Mundi has brought out simultaneous releases focusing on the Office of St. Ursula: Anonymous 4's 11,000 Virgins and this disc. But in fact the recordings have little duplication, since Marcel Pérès devotes his program solely to the Lauds for St. Ursula's feast day. In contrast to Anonymous 4's exquisite ensemble and purity of sound, Pérès prefers an earthier, more elemental sound, achieved by having women's voices sing in chest tones. Long unison lines are spun out in a measured, decorated style that is quite gripping on its own terms, but which might prove grating after some time during the CD's 79-minute course. Pérès, as usual, provides cogent, provocative annotations, and the recording's spooky resonance proves as haunting as the performances. Not for all Hildegardians, perhaps, but fascinating stuff. --Jed Distler




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Hildegard von Bingen: Laudes de Sainte Ursule /Ensemble Organum * Peres For Sale

---

Hildegard von Bingen: Laudes de Sainte Ursule /Ensemble Organum * Peres | | Reviews

Product Overview

At first glance, one might wonder why Harmonia Mundi has brought out simultaneous releases focusing on the Office of St. Ursula: Anonymous 4's 11,000 Virgins and this disc. But in fact the recordings have little duplication, since Marcel Pérès devotes his program solely to the Lauds for St. Ursula's feast day. In contrast to Anonymous 4's exquisite ensemble and purity of sound, Pérès prefers an earthier, more elemental sound, achieved by having women's voices sing in chest tones. Long unison lines are spun out in a measured, decorated style that is quite gripping on its own terms, but which might prove grating after some time during the CD's 79-minute course. Pérès, as usual, provides cogent, provocative annotations, and the recording's spooky resonance proves as haunting as the performances. Not for all Hildegardians, perhaps, but fascinating stuff. --Jed Distler




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Sacred Choral Music For Sale

---

Sacred Choral Music | | Reviews

Product Overview

Sacred music, including works by Dufay, Palestrina, Lassus, Gesualdo, and Schutz. The tracks are: 1. Kyrie, from Messe du Jour de Noel (ninth century tradition), 2. Alleluia, St. Jean Baptiste: ad magnam missam (Cistercian, 12th century), 3. Alleluia, from Messe du Jour de Noel (Notre Dame School (12th century), 4. I Kyrie, 5. II Gloria, 6. III Sanctus, 7. IV Agnus Dei, 8. Motet Viri Galilaei, 9. Agnus Dei I from Missa Viri Galilaei, 10. Agnus Dei II from Missa Viri Galilaei, 11. Second Lamentation from the second day (Good Friday), 12. Third Lamentation from the second day (Good Friday), 13. Responsoria 1: Sicur ovis ad occisionem, 14. Responsoria 2: Jerusalem, surge, 15. Responsoria 5: O vos omnes, 16. O Lieber Herre Gott, SWV 287.




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Perotin For Sale

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Perotin |HILLIARD ENSEMBLE | Reviews

Product Overview

No Description Available
No Track Information Available
Media Type: CD
Artist: HILLIARD ENSEMBLE
Title: PEROTIN
Street Release Date: 04/18/2000
Domestic
Genre: CLASSICAL ARTISTS




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Perotin For Sale

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Perotin |HILLIARD ENSEMBLE | Reviews

Product Overview

No Description Available
No Track Information Available
Media Type: CD
Artist: HILLIARD ENSEMBLE
Title: PEROTIN
Street Release Date: 04/18/2000
Domestic
Genre: CLASSICAL ARTISTS




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Machaut: Messe de Notre Dame For Sale

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Machaut: Messe de Notre Dame | | Reviews

Product Overview

Although Machaut's oft-recorded Mass is probably the best known work of medieval music, Marcel Pérès and his Ensemble Organum make you literally hear it for the first time. For starters, the movements are performed in a liturgical context, with appropriate plainsong insertions. The vocal lines, in turn, are ornamented with boisterous scoops, Bob Dylan-like slides, and decorations that will sound strange to modern ears. Yet the ornaments illuminate the work's celebratory aspects, and brings Machaut's quirky imagination into firmer focus than more conservative recordings. Pérès is to Machaut as Schnabel was to Beethoven. --Jed Distler




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Chant de L'Eglise de Rome For Sale

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Chant de L'Eglise de Rome | | Reviews

Product Overview

Marcel Pérès created a style for old Roman songs influenced by orthodox vocal practice. Two records were released by Harmonia Mundi 15 years ago, and now he returns with 4 Christian masses found in an 11th century manuscript held by the Swiss foundation BODMER




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18th Century Plain Chant at Auxerre Cathedral For Sale

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18th Century Plain Chant at Auxerre Cathedral | | Reviews

Product Overview

Plainchant ("Gregorian" chant) was not strictly a medieval phenomenon: new chant melodies and even repertories were composed well into the 18th century. Marcel Pérès and Ensemble Organum perform here selections from an 18th-century chant book from the cathedral of Auxerre in southern France. They have also tried to re-create the practice of improvised harmonization of the chant: the effect (as heard here, at least) is sonorous and a bit wild--something like plainchant in sacred harp style. As with several of his endeavors in recent years, Pérès uses the indigenous polyphonic singing of Corsica as a reference point; this disc is more convincing than Pérès's other such efforts. --Matthew Westphal




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Tournai Mass For Sale

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Tournai Mass | | Reviews

Product Overview

The 13th-century Tournai Mass (named for the city where its manuscript was preserved) is the oldest surviving polyphonic (i.e., for more than one voice) Mass cycle. The three voices move together from note to note; the harmonies are spare, with pungent dissonances often appearing just before the ends of phrases. Ensemble Organum has added chants proper to a Mass for the Virgin--the plainchant context makes the polyphony seem all the more striking. Marcel Pérès, the mad genius of medieval music, often applies vocal techniques from such places as Greece and Corsica to Western European chant--not always with convincing results; this is one of his least quirky recordings and is recommended for anyone interested in the Middle Ages. --Matthew Westphal




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Chant de L'Eglise de Rome For Sale

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Chant de L'Eglise de Rome | | Reviews

Product Overview

Marcel Pérès created a style for old Roman songs influenced by orthodox vocal practice. Two records were released by Harmonia Mundi 15 years ago, and now he returns with 4 Christian masses found in an 11th century manuscript held by the Swiss foundation BODMER




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Machaut: Messe de Notre Dame For Sale

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Machaut: Messe de Notre Dame | | Reviews

Product Overview

Although Machaut's oft-recorded Mass is probably the best known work of medieval music, Marcel Pérès and his Ensemble Organum make you literally hear it for the first time. For starters, the movements are performed in a liturgical context, with appropriate plainsong insertions. The vocal lines, in turn, are ornamented with boisterous scoops, Bob Dylan-like slides, and decorations that will sound strange to modern ears. Yet the ornaments illuminate the work's celebratory aspects, and brings Machaut's quirky imagination into firmer focus than more conservative recordings. Pérès is to Machaut as Schnabel was to Beethoven. --Jed Distler




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Sacred Choral Music For Sale

---

Sacred Choral Music | | Reviews

Product Overview

Sacred music, including works by Dufay, Palestrina, Lassus, Gesualdo, and Schutz. The tracks are: 1. Kyrie, from Messe du Jour de Noel (ninth century tradition), 2. Alleluia, St. Jean Baptiste: ad magnam missam (Cistercian, 12th century), 3. Alleluia, from Messe du Jour de Noel (Notre Dame School (12th century), 4. I Kyrie, 5. II Gloria, 6. III Sanctus, 7. IV Agnus Dei, 8. Motet Viri Galilaei, 9. Agnus Dei I from Missa Viri Galilaei, 10. Agnus Dei II from Missa Viri Galilaei, 11. Second Lamentation from the second day (Good Friday), 12. Third Lamentation from the second day (Good Friday), 13. Responsoria 1: Sicur ovis ad occisionem, 14. Responsoria 2: Jerusalem, surge, 15. Responsoria 5: O vos omnes, 16. O Lieber Herre Gott, SWV 287.




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Perotin For Sale

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Perotin |HILLIARD ENSEMBLE | Reviews

Product Overview

No Description Available
No Track Information Available
Media Type: CD
Artist: HILLIARD ENSEMBLE
Title: PEROTIN
Street Release Date: 04/18/2000
Domestic
Genre: CLASSICAL ARTISTS




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Codex Chantilly: Airs De Cour Du XIVe Siecle For Sale

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Codex Chantilly: Airs De Cour Du XIVe Siecle | | Reviews

Product Overview

The Chantilly Codex is the pivotal music document of the 14th century and one of the monuments of medieval music. Many of the shadowy greats of early French composition--including Solage, Cordier, and Andrieu--are represented here. The music of the ars subtilior--the subtle art--is eccentric, whimsical, extravagant; it contains the widest diversity of emotion. The Ensemble Organum, directed by Marcel Pérès, performs these works with stylistic deftness. --Joshua Cody




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Ecole de Notre Dame de Paris 1163-1245: Organum, Conduits & Motets / Vellard For Sale

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Ecole de Notre Dame de Paris 1163-1245: Organum, Conduits & Motets / Vellard | | Reviews

Product Overview

Harmonic 8611 (1986) DDD - Vocal Monodies and Polyphonies - The works in this recording are taken from the medieval musical manuscripts of FIRENZE (Biblioteca Mediceo-Laurenziana, Pluteo 29.1) and from the manuscripts of WOLFENBUTTEL (Codex 1099).




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Machaut: Messe de Notre Dame For Sale

---

Machaut: Messe de Notre Dame | | Reviews

Product Overview

Although Machaut's oft-recorded Mass is probably the best known work of medieval music, Marcel Pérès and his Ensemble Organum make you literally hear it for the first time. For starters, the movements are performed in a liturgical context, with appropriate plainsong insertions. The vocal lines, in turn, are ornamented with boisterous scoops, Bob Dylan-like slides, and decorations that will sound strange to modern ears. Yet the ornaments illuminate the work's celebratory aspects, and brings Machaut's quirky imagination into firmer focus than more conservative recordings. Pérès is to Machaut as Schnabel was to Beethoven. --Jed Distler




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Hildegard von Bingen: Laudes de Sainte Ursule /Ensemble Organum * Peres For Sale

---

Hildegard von Bingen: Laudes de Sainte Ursule /Ensemble Organum * Peres | | Reviews

Product Overview

At first glance, one might wonder why Harmonia Mundi has brought out simultaneous releases focusing on the Office of St. Ursula: Anonymous 4's 11,000 Virgins and this disc. But in fact the recordings have little duplication, since Marcel Pérès devotes his program solely to the Lauds for St. Ursula's feast day. In contrast to Anonymous 4's exquisite ensemble and purity of sound, Pérès prefers an earthier, more elemental sound, achieved by having women's voices sing in chest tones. Long unison lines are spun out in a measured, decorated style that is quite gripping on its own terms, but which might prove grating after some time during the CD's 79-minute course. Pérès, as usual, provides cogent, provocative annotations, and the recording's spooky resonance proves as haunting as the performances. Not for all Hildegardians, perhaps, but fascinating stuff. --Jed Distler




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Hildegard von Bingen: Laudes de Sainte Ursule /Ensemble Organum * Peres For Sale

---

Hildegard von Bingen: Laudes de Sainte Ursule /Ensemble Organum * Peres | | Reviews

Product Overview

At first glance, one might wonder why Harmonia Mundi has brought out simultaneous releases focusing on the Office of St. Ursula: Anonymous 4's 11,000 Virgins and this disc. But in fact the recordings have little duplication, since Marcel Pérès devotes his program solely to the Lauds for St. Ursula's feast day. In contrast to Anonymous 4's exquisite ensemble and purity of sound, Pérès prefers an earthier, more elemental sound, achieved by having women's voices sing in chest tones. Long unison lines are spun out in a measured, decorated style that is quite gripping on its own terms, but which might prove grating after some time during the CD's 79-minute course. Pérès, as usual, provides cogent, provocative annotations, and the recording's spooky resonance proves as haunting as the performances. Not for all Hildegardians, perhaps, but fascinating stuff. --Jed Distler




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Tournai Mass For Sale

---

Tournai Mass | | Reviews

Product Overview

The 13th-century Tournai Mass (named for the city where its manuscript was preserved) is the oldest surviving polyphonic (i.e., for more than one voice) Mass cycle. The three voices move together from note to note; the harmonies are spare, with pungent dissonances often appearing just before the ends of phrases. Ensemble Organum has added chants proper to a Mass for the Virgin--the plainchant context makes the polyphony seem all the more striking. Marcel Pérès, the mad genius of medieval music, often applies vocal techniques from such places as Greece and Corsica to Western European chant--not always with convincing results; this is one of his least quirky recordings and is recommended for anyone interested in the Middle Ages. --Matthew Westphal




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18th Century Plain Chant at Auxerre Cathedral For Sale

---

18th Century Plain Chant at Auxerre Cathedral | | Reviews

Product Overview

Plainchant ("Gregorian" chant) was not strictly a medieval phenomenon: new chant melodies and even repertories were composed well into the 18th century. Marcel Pérès and Ensemble Organum perform here selections from an 18th-century chant book from the cathedral of Auxerre in southern France. They have also tried to re-create the practice of improvised harmonization of the chant: the effect (as heard here, at least) is sonorous and a bit wild--something like plainchant in sacred harp style. As with several of his endeavors in recent years, Pérès uses the indigenous polyphonic singing of Corsica as a reference point; this disc is more convincing than Pérès's other such efforts. --Matthew Westphal




My Page is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to amazon.com

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