Tournai Mass For Sale

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Tournai Mass | | Reviews

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Tournai Mass Reviews

Product Overview

The 13th-century Tournai Mass (named for the city where its manuscript was preserved) is the oldest surviving polyphonic (i.e., for more than one voice) Mass cycle. The three voices move together from note to note; the harmonies are spare, with pungent dissonances often appearing just before the ends of phrases. Ensemble Organum has added chants proper to a Mass for the Virgin--the plainchant context makes the polyphony seem all the more striking. Marcel Pérès, the mad genius of medieval music, often applies vocal techniques from such places as Greece and Corsica to Western European chant--not always with convincing results; this is one of his least quirky recordings and is recommended for anyone interested in the Middle Ages. --Matthew Westphal




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Perotin For Sale

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Perotin |HILLIARD ENSEMBLE | Reviews

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Perotin Reviews

Product Overview

No Description Available
No Track Information Available
Media Type: CD
Artist: HILLIARD ENSEMBLE
Title: PEROTIN
Street Release Date: 04/18/2000
Domestic
Genre: CLASSICAL ARTISTS




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Chant Mass for Christmas Day For Sale

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Chant Mass for Christmas Day | | Reviews

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Chant Mass for Christmas Day Reviews

Product Overview

During the 17th and 18th centuries, the heyday of the Baroque, the church of France attempted to revive the Galician chant style, which had been absorbed into the traditional Gregorian repertoire. This revival was short-lived, but did provide inspiration to many French composers of the time. Marcel Peres and Ensemble Organum, joined here by Les Pages de la Chapelle, present a performance of the Mass for Christmas Day as it would have been heard in the period. Highly ornamented organ interludes intersperse the glorious singing of the finest and most talented exponents of this fascinating repertoire.




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Chant de L'Eglise de Rome For Sale

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Chant de L'Eglise de Rome | | Reviews

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Chant de L'Eglise de Rome Reviews

Product Overview

Marcel Pérès created a style for old Roman songs influenced by orthodox vocal practice. Two records were released by Harmonia Mundi 15 years ago, and now he returns with 4 Christian masses found in an 11th century manuscript held by the Swiss foundation BODMER




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18th Century Plain Chant at Auxerre Cathedral For Sale

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18th Century Plain Chant at Auxerre Cathedral | | Reviews

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18th Century Plain Chant at Auxerre Cathedral Reviews

Product Overview

Plainchant ("Gregorian" chant) was not strictly a medieval phenomenon: new chant melodies and even repertories were composed well into the 18th century. Marcel Pérès and Ensemble Organum perform here selections from an 18th-century chant book from the cathedral of Auxerre in southern France. They have also tried to re-create the practice of improvised harmonization of the chant: the effect (as heard here, at least) is sonorous and a bit wild--something like plainchant in sacred harp style. As with several of his endeavors in recent years, Pérès uses the indigenous polyphonic singing of Corsica as a reference point; this disc is more convincing than Pérès's other such efforts. --Matthew Westphal




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Vox Sacra For Sale

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Vox Sacra | | Reviews

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Vox Sacra Reviews

Product Overview

This CD can be considered somewhat rare now. Sale is for
the disc and front inside insert only,




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Hildegard von Bingen: Laudes de Sainte Ursule /Ensemble Organum * Peres For Sale

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Hildegard von Bingen: Laudes de Sainte Ursule /Ensemble Organum * Peres | | Reviews

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Hildegard von Bingen: Laudes de Sainte Ursule /Ensemble Organum * Peres Reviews

Product Overview

At first glance, one might wonder why Harmonia Mundi has brought out simultaneous releases focusing on the Office of St. Ursula: Anonymous 4's 11,000 Virgins and this disc. But in fact the recordings have little duplication, since Marcel Pérès devotes his program solely to the Lauds for St. Ursula's feast day. In contrast to Anonymous 4's exquisite ensemble and purity of sound, Pérès prefers an earthier, more elemental sound, achieved by having women's voices sing in chest tones. Long unison lines are spun out in a measured, decorated style that is quite gripping on its own terms, but which might prove grating after some time during the CD's 79-minute course. Pérès, as usual, provides cogent, provocative annotations, and the recording's spooky resonance proves as haunting as the performances. Not for all Hildegardians, perhaps, but fascinating stuff. --Jed Distler




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Chant de L'Eglise de Rome For Sale

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Chant de L'Eglise de Rome | | Reviews

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Chant de L'Eglise de Rome Reviews

Product Overview

Marcel Pérès created a style for old Roman songs influenced by orthodox vocal practice. Two records were released by Harmonia Mundi 15 years ago, and now he returns with 4 Christian masses found in an 11th century manuscript held by the Swiss foundation BODMER




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Ockeghem: Requiem /Ensemble Organum * Peres For Sale

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Ockeghem: Requiem /Ensemble Organum * Peres | | Reviews

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Ockeghem: Requiem /Ensemble Organum * Peres Reviews

Product Overview

Ockeghem's Requiem is his most widely performed work, and Pérès has made a recording of it unlike any other. He adds to Ockeghem's setting most of the plainchant required for a complete funeral Mass, as well as two movements by Antonius Divitis. Most notably, he and his ensemble perform Ockeghem's music at a much lower pitch than is customary--and in a direct, almost uninflected manner that seems to deliberately disregard modern assumptions about what constitutes "beautiful" or "musical" singing. Pérès is a serious, thoughtful musician and must have had well-considered reasons for all this, but typically (and maddeningly), the booklet says not one word about them. For those who know the work, this may be interesting; newcomers to Ockeghem should try the Clerks' Group on ASV. --Matthew Westphal




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Hildegard von Bingen: Laudes de Sainte Ursule /Ensemble Organum * Peres For Sale

---

Hildegard von Bingen: Laudes de Sainte Ursule /Ensemble Organum * Peres | | Reviews

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Hildegard von Bingen: Laudes de Sainte Ursule /Ensemble Organum * Peres Reviews

Product Overview

At first glance, one might wonder why Harmonia Mundi has brought out simultaneous releases focusing on the Office of St. Ursula: Anonymous 4's 11,000 Virgins and this disc. But in fact the recordings have little duplication, since Marcel Pérès devotes his program solely to the Lauds for St. Ursula's feast day. In contrast to Anonymous 4's exquisite ensemble and purity of sound, Pérès prefers an earthier, more elemental sound, achieved by having women's voices sing in chest tones. Long unison lines are spun out in a measured, decorated style that is quite gripping on its own terms, but which might prove grating after some time during the CD's 79-minute course. Pérès, as usual, provides cogent, provocative annotations, and the recording's spooky resonance proves as haunting as the performances. Not for all Hildegardians, perhaps, but fascinating stuff. --Jed Distler




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Les Premieres Polyphonies Français For Sale

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Les Premieres Polyphonies Français | | Reviews

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Les Premieres Polyphonies Français Reviews

Product Overview

You won't hear a finer early music vocal group than Ensemble Gilles Binchois. These eight singers--five women, three men--led by tenor extraordinaire Dominique Vellard don't just perform: They bring us wholly into the music's presence. These pieces aren't just the familiar sounds of so many chants and polyphonic works. Because of the incredible naturalness of the singing and the generously resonant acoustic that lifts and carries the music upward, we sense a direct connection to the music's origins and original function in habitual, communal worship. Apart from their liturgical context, these pieces are quite beautiful all on their own; some are startling in their harmonic and melodic originality. The chants are sung in a lovely, flowing, gently inflected style; the multi-part works benefit from perfectly tuned and matched voices. --David Vernier




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Hildegard von Bingen: Laudes de Sainte Ursule /Ensemble Organum * Peres For Sale

---

Hildegard von Bingen: Laudes de Sainte Ursule /Ensemble Organum * Peres | | Reviews

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Hildegard von Bingen: Laudes de Sainte Ursule /Ensemble Organum * Peres Reviews

Product Overview

At first glance, one might wonder why Harmonia Mundi has brought out simultaneous releases focusing on the Office of St. Ursula: Anonymous 4's 11,000 Virgins and this disc. But in fact the recordings have little duplication, since Marcel Pérès devotes his program solely to the Lauds for St. Ursula's feast day. In contrast to Anonymous 4's exquisite ensemble and purity of sound, Pérès prefers an earthier, more elemental sound, achieved by having women's voices sing in chest tones. Long unison lines are spun out in a measured, decorated style that is quite gripping on its own terms, but which might prove grating after some time during the CD's 79-minute course. Pérès, as usual, provides cogent, provocative annotations, and the recording's spooky resonance proves as haunting as the performances. Not for all Hildegardians, perhaps, but fascinating stuff. --Jed Distler




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Chant de L'Eglise de Rome For Sale

---

Chant de L'Eglise de Rome | | Reviews

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Chant de L'Eglise de Rome Reviews

Product Overview

Marcel Pérès created a style for old Roman songs influenced by orthodox vocal practice. Two records were released by Harmonia Mundi 15 years ago, and now he returns with 4 Christian masses found in an 11th century manuscript held by the Swiss foundation BODMER




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Perotin For Sale

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Perotin | | Reviews

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Perotin Reviews

Product Overview

It would be impossible to adequately describe the inherent haunting beauty of Perotin's music, or to fully detail its far-reaching influence in latter-12th-century France. The opening "Viderunt omnes" is a perfect illustration of the surprising vitality and highly charged sense of forward motion that can be obtained with relatively simple rhythmic impulses and harmonic devices. The male voices of the Hilliard Ensemble generate an electrifying resonance that vibrates everything in the room that's not solid or nailed down. You can literally feel this music, ringing with natural harmonics and set to body-moving rhythms. Yes, it's religious music, intended for lofty cathedral spaces; but it moves, and it's moving, and this recording gives it to you full blast. --David Vernier




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Ockeghem: Requiem /Ensemble Organum * Peres For Sale

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Ockeghem: Requiem /Ensemble Organum * Peres | | Reviews

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Ockeghem: Requiem /Ensemble Organum * Peres Reviews

Product Overview

Ockeghem's Requiem is his most widely performed work, and Pérès has made a recording of it unlike any other. He adds to Ockeghem's setting most of the plainchant required for a complete funeral Mass, as well as two movements by Antonius Divitis. Most notably, he and his ensemble perform Ockeghem's music at a much lower pitch than is customary--and in a direct, almost uninflected manner that seems to deliberately disregard modern assumptions about what constitutes "beautiful" or "musical" singing. Pérès is a serious, thoughtful musician and must have had well-considered reasons for all this, but typically (and maddeningly), the booklet says not one word about them. For those who know the work, this may be interesting; newcomers to Ockeghem should try the Clerks' Group on ASV. --Matthew Westphal




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Parisian Plainchant - Mass For Christmas Day XVIIe and XVIIIe siècles (17th-18th Centuries) / Peres, Ensemble Organum For Sale

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Parisian Plainchant - Mass For Christmas Day XVIIe and XVIIIe siècles (17th-18th Centuries) / Peres, Ensemble Organum | | Reviews

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Parisian Plainchant - Mass For Christmas Day XVIIe and XVIIIe siècles (17th-18th Centuries) / Peres, Ensemble Organum Reviews

Product Overview

Quiz question: when was Gregorian chant composed? Most people figure it was some indeterminate point in the Middle Ages. In fact, new chants were being composed (by, among many others, Dufay and Palestrina) at least through the 18th century. For example, 17th-century France saw an effort to Gallicize plainchant: virtually the entire liturgical repertory was recomposed in French Baroque style--including trills and ornaments. (Think of monks singing Couperin.) This recording by Marcel Pérès, who has done fascinating work reviving chant from many different times and places, re-creates a 17th-century Parisian Mass for Christmas Day, using a contemporary missal compiled for Nôtre-Dame as well as chants by Campra and Delalande. The superb singing by Ensemble Organum and the boys of Les Pages de la Chapelle is more accessible than that on some of Pérès's other recordings. Best of all, following old French practice for festal Masses, verses of chant alternate with verses improvised on the organ: playing a fine 17th-century instrument, Pérès improvises the organ verses himself, exercising musical skills many of his fans didn't know he had. --Matthew Westphal




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Tournai Mass For Sale

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Tournai Mass | | Reviews

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Tournai Mass Reviews

Product Overview

The 13th-century Tournai Mass (named for the city where its manuscript was preserved) is the oldest surviving polyphonic (i.e., for more than one voice) Mass cycle. The three voices move together from note to note; the harmonies are spare, with pungent dissonances often appearing just before the ends of phrases. Ensemble Organum has added chants proper to a Mass for the Virgin--the plainchant context makes the polyphony seem all the more striking. Marcel Pérès, the mad genius of medieval music, often applies vocal techniques from such places as Greece and Corsica to Western European chant--not always with convincing results; this is one of his least quirky recordings and is recommended for anyone interested in the Middle Ages. --Matthew Westphal




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Chant de L'Eglise de Rome For Sale

---

Chant de L'Eglise de Rome | | Reviews

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Chant de L'Eglise de Rome Reviews

Product Overview

Marcel Pérès created a style for old Roman songs influenced by orthodox vocal practice. Two records were released by Harmonia Mundi 15 years ago, and now he returns with 4 Christian masses found in an 11th century manuscript held by the Swiss foundation BODMER




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Chant de L'Eglise de Rome For Sale

---

Chant de L'Eglise de Rome | | Reviews

Product Overview

Marcel Pérès created a style for old Roman songs influenced by orthodox vocal practice. Two records were released by Harmonia Mundi 15 years ago, and now he returns with 4 Christian masses found in an 11th century manuscript held by the Swiss foundation BODMER




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Codex Chantilly: Airs De Cour Du XIVe Siecle For Sale

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Codex Chantilly: Airs De Cour Du XIVe Siecle | | Reviews

Product Overview

The Chantilly Codex is the pivotal music document of the 14th century and one of the monuments of medieval music. Many of the shadowy greats of early French composition--including Solage, Cordier, and Andrieu--are represented here. The music of the ars subtilior--the subtle art--is eccentric, whimsical, extravagant; it contains the widest diversity of emotion. The Ensemble Organum, directed by Marcel Pérès, performs these works with stylistic deftness. --Joshua Cody




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Chant de L'Eglise de Rome For Sale

---

Chant de L'Eglise de Rome | | Reviews

Product Overview

Marcel Pérès created a style for old Roman songs influenced by orthodox vocal practice. Two records were released by Harmonia Mundi 15 years ago, and now he returns with 4 Christian masses found in an 11th century manuscript held by the Swiss foundation BODMER




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Perotin For Sale

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Perotin |HILLIARD ENSEMBLE | Reviews

Product Overview

No Description Available
No Track Information Available
Media Type: CD
Artist: HILLIARD ENSEMBLE
Title: PEROTIN
Street Release Date: 04/18/2000
Domestic
Genre: CLASSICAL ARTISTS




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Perotin For Sale

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Perotin |HILLIARD ENSEMBLE | Reviews

Product Overview

No Description Available
No Track Information Available
Media Type: CD
Artist: HILLIARD ENSEMBLE
Title: PEROTIN
Street Release Date: 04/18/2000
Domestic
Genre: CLASSICAL ARTISTS




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Ockeghem: Requiem /Ensemble Organum * Peres For Sale

---

Ockeghem: Requiem /Ensemble Organum * Peres | | Reviews

Product Overview

Ockeghem's Requiem is his most widely performed work, and Pérès has made a recording of it unlike any other. He adds to Ockeghem's setting most of the plainchant required for a complete funeral Mass, as well as two movements by Antonius Divitis. Most notably, he and his ensemble perform Ockeghem's music at a much lower pitch than is customary--and in a direct, almost uninflected manner that seems to deliberately disregard modern assumptions about what constitutes "beautiful" or "musical" singing. Pérès is a serious, thoughtful musician and must have had well-considered reasons for all this, but typically (and maddeningly), the booklet says not one word about them. For those who know the work, this may be interesting; newcomers to Ockeghem should try the Clerks' Group on ASV. --Matthew Westphal




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